The National Bonsai Foundation’s latest bulletin is out and features my article further outlining my impressions of the bonsai industry in Japan and what lessons I think we can incoroprate here in the U.S. You can find it here.
The nicest weather I experienced during the trip was on my third day in Japan, the rest of the trip was either cold and windy, cold and rainy, or cold and snowy. This day however was sunny and pleasant, which was great since the bonsai magazine Kinbon, was coming to do a photo shoot of the trees that were headed for Kokufu-ten.
These trees had already been photographed once before when they were judged a few weeks prior to my arrival. It was interesting to find out that all the bonsai in the Kokufu exhibit are judged and photographed almost a month before the actual show.
Since then they were being kept in the workshop, protected from the elements. This meant that my sempai Takuya and myself would be lifting trees for most of the day.
This needle juniper had some of the tightest foliage pads I’ve ever seen. This tree was from Gashoen, another bonsai nursery nearby, and Mr. Suzuki was taking it to the show for them.
Not the best picture of a very nice japanese black pine. For whatever reason the photos I take with my iphone don’t capture the whole image as it appears on the view finder.
Even from the back this semi cascade white pine looks awesome.
More trees were also being kept in the reception area which is where the photographer set up his backdrop. Since this beech was the closest tree it was the first one to be photographed.
Once things were set up the photo shoot did not take as long as I thought. The displays had been thought out by Mr. Suzuki long in advacnce and it was simply a matter of us removing the tree, Mr. Suzuki changing the stand and then we were there with the next bonsai to photographed. Very effecient.
The next one up was one of my favorite trees. A bunjin white pine which had beautifully old shari.
Since this years Kokufu was a double show, meaning there were two sets of bonsai exhibited, each set was judged and awarded. This already famous Kichou, (Important Bonsai Masterpiece), root-over-rock JBP won “Best Conifer” of the second group.
In addition to the big trees there were several three-point-displays photographed.
Japanese White Pine with kumquat shohin and small fern. The kumquat was kept warm in a small plastic greenhouse inside the Suzuki home along with a few houseplants.
Another killer japanese white pine smiles for the camera.
The same semicascade white pine from above, but now paired with a shohin root-over-rock japanese maple, and perhaps the most famous accent plant ever.
I really liked the character of this tree, great trunk. It is a procumbens juniper or sonare in Japanese, with foliage as tight as your ever going to see.
Once photographed each tree was set out to catch some much needed rays. After we set this tree down I noticed something white around the nebari. It looked like the tree had some fungal issue.
Concerned, I asked Takuya about it, he smiled and said “Strong tree”. I am no stranger to mycorrhiza but I’ve never see it as abundant as this, it was growing up the nebari! Not only is this a strong tree but its another kichou bonsai.
This quince was one of the shohin used in another three-point-display. Not only is this tree top shelf, but check out the patina on its pot. Kokufu trees are transplanted into antique Chinese and Japanese pots for the exhibit then put back into their “growing” containers after the show.
The very last thing I did was give each tree a much needed watering. If you have the chance pick up a copy of Kinbon to see the actual photos. As always, thanks for reading.
The kind folks at the local Fox news affiliate here in DC stopped by and did a little report on the Fall Bonsai Exhibit. I tried to embed the video in this post but was unable to figure out how. You’ll have to click here to watch it. Hope you enjoy it.
The Potomac Bonsai Association(PBA) has been a long time supporter of the National Bonsai and Penjing Museum. Their redesigned newsletter titled “Clippings” comes out each quarter with the most recent issue featuring two Museum volunteers. Chris Baker, who served are our summer apprentice, and Danny Coffey currently apprenticing at Aichien in Nagoya. To download PBA newsletters. click here.
Earlier this year I introduced Museum volunteer Danny Coffey. Danny had just embarked on a 3 month trial apprenticeship at the distinguished Aichi-en bonsai nursery in Nagoya.
After a brief trip back to the states, Danny has returned to Aichi-en to begin his formal apprenticeship.
In the tradition of his senpai, Peter Tea, Danny is sharing his own experiences at Aichi-en on his bonsai periodical Tree the People. Danny is also be posting photos on Instagram under the account “Tree The People” . So far he has several informative posts on Trident Maples with a lot a great pictures. Show your support for Danny by subscribing to Tree the People.
Earlier this week a very jolly individual with twinkling eyes and a white beard arrived at the Museum. He had traveled a long distant in a short period of time in order to deliver some very special presents to the Bonsai Museum.
Gary Wood, (seen here) a bonsai teacher from Muscle Shoals, Alabama had driven from Southern California to D.C. in 3 days with two very famous bonsai recently donated by bonsai artist Ernie Kuo.
For many these trees will be recognized immediately, as both have won international accolades . The tree on the right won the 1994 BCI Ben Oki International Design Award and the 1994 Kindai Bonsai Magazine’s reader’s Sakafuten Award. The tree on the left won the Sakafuten Award in 1995. Ernie also wrote an article describing the creation of these two masterpieces in detail. The article, which last appeared in Bonsai Today’s Masters’ Series on Junipers, is re-posted here with the consent of Stone Lantern Publishing. Two Studies by Ernie Kuo
Sincerer thanks to Ernie for his amazing gift, to Gary Wood for driving them out here, the National Bonsai Foundation for funding the transportation, and Wayne Schoech, Bonsai Bark/Stone Lantern, for permission to re-post Ernie’s article.
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